everything is connected

“In West African animist belief, all time is now. We are the living embodiment of our ancestors. We carry their DNA. However it is not just the physical matter of our bodies that is shaped by those who came before us, it is the patterns of our thoughts and the patterns of our cultures and societies. Animism sees this link between the past, present, and future as a constant that exists beyond time; it sees life in everything, and sees all life as equal. Life and death are simply two different states, and what marks a living thing is that it is never static, it is always changing, evolving, and that in every stage of life, life expresses itself, until death allows the cycle to start again. Animism believes that everything in the universe has a spirit, an energy, and everything is intimately and intricately connected. The sun, the earth, air, rain, seasons turning again and again as the world spins on its axis and the planets make their journeys around our distant star. Time moves, the past is present, and nothing can ever halt the cycles that every living thing depends on, not until the end of time. All of life on Earth is a consequence of these subtle interactions.”

from Earth and Leaves by Aboubakar Fofana, essay by Johanna Macnaughtan

CU Denver Experience Gallery Presents: A Conversation with Narkita

On November 2, Narkita will return for a public talk about her artistic process and the making of the new work featured in her current exhibition, i found myself in the mountains. The talk will take place at our sister gallery, the Emmanuel, at 4:30 pm, followed by a walkthrough of the exhibition with the artist at the CU Denver Experience Gallery.

Thursday, November 2, 2023
4:30 PM - 6:00 PM

Emmanuel Art Gallery
1205 10th Street Plaza
Denver, CO, 80204 United States



I found myself in the mountains | opening September 21, 2023

Narkita’s presentation at CU Denver Experience Gallery interlaces text, textiles, photography, and found objects to create site-specific installations and photographic assemblages that reveal the complexities and contradictions of her interior life. Borrowed from a poem written by Narkita, i found myself in the mountains explores her role as a visual artist, writer, and storyteller. Each moment in this exhibition of theorized personal anecdotes welcomes us to slow down, breathe, look deeper, take notice, and contemplate the challenges and possibilities of our existence. More about the show here.

September 21, 2023 - January 14, 2024
CU Denver Experience Gallery
1025 13th Street
Denver, CO 80202

rice fills the belly, but sky fills the heart

 

“The water spirit cautioned the woman that now since the color blue had come down to earth to stay, it was a sacred duty to guard the indigo and that only women should handle the indigo pots. The woman was to carry her new knowledge back to the village and instruct the women there how to make the blue juice live happily in the cloth for all the people.” 

How Indigo Came to Libéra, adapted by the artist


My process for the social practice installation is research-based and embodies many components that contribute to the whole but are not central to the final piece. If the viewer looks to the aesthetic to inform the meaning and process, they won't find it.

However, with additional probing -- Why indigo? How was it made? Who made it? Why are we participants? -- the viewer may discover the work's contextual richness. 

From the participatory component to the women who labored together to make "the indigo live happily in the cloth for all the people” to the folklore, How indigo dye came to Liberia that inspired the collaborative work there is an unfixing and coming together happening.

My work with indigo is also a meditation on its fraught history, a history that includes the labor of enslaved Africans and colonial cultivation and extraction of a natural resource for profit. Considering all the above, the final piece engenders the possibilities of working together against systems of domination.